98 bars of 4/4 at 140 BPM, about 2:47 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 12, 14 and 16, and 3 more places -- 14.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
6 fills to learn, played 24 times: bars 5, 13, 17, 19, 21, 23 and 18 more.
2 more fills are written out on the fills page.
98 bars across 11 sections: 54 keep time, 25 are fills and 5 are stops. The longest unbroken stretch of time is bars 28-32.
140 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
53 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 38 out of 100; the rest of the number is everything around it.
98 bars, about 2:47 at the written tempo. The course breaks it into 37 exercises over 10 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 24 times: bars 5, 13, 17, 19, 21, 23 and 18 more.