103 bars of 4/4 at a walking 86 BPM, 4:47 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 27-33, 51-52 and 54-56, and 2 more places -- 16.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
9 fills to learn, played 10 times: bars 13, 49, 53, 57, 58, 70 and 4 more.
5 more fills are written out on the fills page.
103 bars across 16 sections: 64 keep time, 10 are fills, 4 are stops and 10 are silent. The longest unbroken stretch of time is bars 40-48.
86 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
63 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 36 out of 100; the rest of the number is everything around it.
103 bars, about 4:47 at the written tempo. The course breaks it into 46 exercises over 13 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 10 times: bars 13, 49, 53, 57, 58, 70 and 4 more.