546 bars of 4/4 at a walking 105 BPM, 20:47 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 54, 64 and 66, and 30 more places -- 13.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
24 fills to learn, played 80 times: bars 1, 2, 3, 4, 14, 19 and 74 more.
20 more fills are written out on the fills page.
546 bars across 33 sections: 367 keep time, 85 are fills, 42 are stops and 12 are silent. The longest unbroken stretch of time is bars 316-353.
105 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
53 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 28 out of 100; the rest of the number is everything around it.
546 bars, about 20:47 at the written tempo. The course breaks it into 127 exercises over 38 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
24 fills to learn, played 80 times: bars 1, 2, 3, 4, 14, 19 and 74 more.