130 bars of 4/4 at 150 BPM, about 3:28 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 52-54, 56-57 and 82-83, and 9 more places -- 20.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
9 fills to learn, played 18 times: bars 6, 16, 22, 23, 32, 40 and 12 more.
5 more fills are written out on the fills page.
130 bars across 7 sections: 91 keep time, 18 are fills and 10 are stops. The longest unbroken stretch of time is bars 61-69.
150 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
67 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 67 out of 100; the rest of the number is everything around it.
130 bars, about 3:28 at the written tempo. The course breaks it into 33 exercises over 10 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 18 times: bars 6, 16, 22, 23, 32, 40 and 12 more.