111 bars, 6:00, at 72 BPM: slow enough that every note is exposed. Crash, ride, hi-hat, snare, mid tom, kick and hi-hat foot and nothing else.
The beat the song is built on is one bar, played through bars 49-50, 52-56 and 77-80 -- 9.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
9 fills to learn, played 37 times: bars 12, 20, 21, 22, 23, 24 and 31 more.
6 more fills are written out on the fills page.
111 bars across 9 sections: 57 keep time, 37 are fills and 3 are stops. The longest unbroken stretch of time is bars 50-58.
72 BPM, in 4/4, with the time kept in thirty-second notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
73 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 60 out of 100; the rest of the number is everything around it.
111 bars, about 6:00 at the written tempo. The course breaks it into 44 exercises over 17 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, mid tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 37 times: bars 12, 20, 21, 22, 23, 24 and 31 more.