62 bars, 3:27, at 72 BPM: slow enough that every note is exposed. Crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot and nothing else.
The beat the song is built on is a 2-bar phrase, played through bars 10-17 and 22-23 -- 16.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
7 fills to learn, played 20 times: bars 2, 4, 6, 8, 9, 20 and 14 more.
3 more fills are written out on the fills page.
62 bars across 9 sections: 29 keep time, 20 are fills, 2 are stops and 3 are silent. The longest unbroken stretch of time is bars 49-56.
72 BPM, in 4/4, with the time kept in thirty-second notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
72 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 65 out of 100; the rest of the number is everything around it.
62 bars, about 3:27 at the written tempo. The course breaks it into 27 exercises over 9 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 20 times: bars 2, 4, 6, 8, 9, 20 and 14 more.