44 bars of 4/4 at a walking 100 BPM, 1:46 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 22, 26 and 37-39, and 1 more place -- 18.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
5 fills to learn, played 8 times: bars 1, 15, 19, 23, 28, 32 and 2 more.
1 more fill is written out on the fills page.
44 bars across 5 sections: 22 keep time, 8 are fills, 10 are stops and 1 is silent. The longest unbroken stretch of time is bars 11-14.
100 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
60 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 66 out of 100; the rest of the number is everything around it.
44 bars, about 1:46 at the written tempo. The course breaks it into 17 exercises over 6 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 8 times: bars 1, 15, 19, 23, 28, 32 and 2 more.