160 bars at 220 BPM -- fast, and 2:55 of it without a break -- on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 18-19, 22-23 and 26-27, and 8 more places -- 19.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
11 fills to learn, played 27 times: bars 1, 2, 3, 9, 17, 20 and 21 more.
7 more fills are written out on the fills page.
160 bars across 12 sections: 92 keep time, 27 are fills, 29 are stops and 1 is silent. The longest unbroken stretch of time is bars 61-72.
220 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
60 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 34 out of 100; the rest of the number is everything around it.
160 bars, about 2:55 at the written tempo. The course breaks it into 49 exercises over 14 sittings, about 26 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
11 fills to learn, played 27 times: bars 1, 2, 3, 9, 17, 20 and 21 more.