122 bars of 4/4 at 135 BPM, about 3:36 of playing, on crash, ride, hi-hat, snare, high tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 6-8, 10-12 and 14-16, and 10 more places -- 32% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
4 fills to learn, played 6 times: bars 5, 33, 49, 73, 89 and 121.
122 bars across 7 sections: 107 keep time, 6 are fills and 1 is a stop. The longest unbroken stretch of time is bars 7-32.
135 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
55 out of 100, a step up from a first song, and the work is in how many notes a second it asks for. The beat itself is 39 out of 100; the rest of the number is everything around it.
122 bars, about 3:36 at the written tempo. The course breaks it into 23 exercises over 6 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, high tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 6 times: bars 5, 33, 49, 73, 89 and 121.