89 bars of 4/4 at a walking 97 BPM, 3:40 of playing, on crash, hi-hat, snare, mid tom and kick.
The beat the song is built on is one bar, played through bars 9, 13 and 15, and 19 more places -- 32.6% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
2 fills to learn, played 8 times: bars 5, 67, 73, 74, 75, 76 and 2 more.
89 bars across 7 sections: 56 keep time, 8 are fills, 14 are stops and 3 are silent. The longest unbroken stretch of time is bars 18-27.
97 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
45 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 26 out of 100; the rest of the number is everything around it.
89 bars, about 3:40 at the written tempo. The course breaks it into 22 exercises over 6 sittings, about 28 minutes each.
crash, hi-hat, snare, mid tom and kick. Nothing in the part asks for anything else.
2 fills to learn, played 8 times: bars 5, 67, 73, 74, 75, 76 and 2 more.