115 bars of 3/4 -- not four -- at 100 BPM, 3:48 of playing on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 97-107 -- 11% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
11 fills to learn, played 25 times: bars 7, 8, 9, 12, 26, 28 and 19 more.
7 more fills are written out on the fills page.
115 bars across 13 sections: 45 keep time, 25 are fills, 19 are stops and 15 are silent. The longest unbroken stretch of time is bars 97-107.
100 BPM, in 3/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
57 out of 100, a step up from a first song, and the work is in how fine the subdivision is. The beat itself is 2 out of 100; the rest of the number is everything around it.
115 bars, about 3:48 at the written tempo. The course breaks it into 48 exercises over 16 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
11 fills to learn, played 25 times: bars 7, 8, 9, 12, 26, 28 and 19 more.