117 bars of 8/4 -- not four -- at 101 BPM, 6:59 of playing on crash, ride, hi-hat, snare, high tom, mid tom and kick.
The beat the song is built on is one bar, played through bars 1-8, 53-54 and 94-95, and 1 more place -- 18.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
4 fills to learn, played 4 times: bars 9, 65, 67 and 71.
117 bars across 9 sections: 68 keep time, 5 are fills, 1 is a stop and 34 are silent. The longest unbroken stretch of time is bars 36-51.
101 BPM, in 8/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
64 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 5 out of 100; the rest of the number is everything around it.
117 bars, about 6:59 at the written tempo. The course breaks it into 32 exercises over 11 sittings, about 23 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 4 times: bars 9, 65, 67 and 71.