132 bars of 4/4 at 140 BPM, about 3:48 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 41-43, 45 and 47, and 4 more places -- 10.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
19 fills to learn, played 47 times: bars 10, 17, 18, 19, 20, 22 and 41 more.
15 more fills are written out on the fills page.
132 bars across 15 sections: 59 keep time, 47 are fills, 4 are stops and 9 are silent. The longest unbroken stretch of time is bars 75-82.
140 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
59 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 46 out of 100; the rest of the number is everything around it.
132 bars, about 3:48 at the written tempo. The course breaks it into 61 exercises over 17 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
19 fills to learn, played 47 times: bars 10, 17, 18, 19, 20, 22 and 41 more.