129 bars of 4/4 at 145 BPM, about 3:29 of playing, on crash, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 25-27, 29 and 33-34, and 9 more places -- 18.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
12 fills to learn, played 47 times: bars 16, 24, 26, 28, 30, 31 and 41 more.
8 more fills are written out on the fills page.
129 bars across 13 sections: 37 keep time, 47 are fills, 19 are stops and 18 are silent. The longest unbroken stretch of time is bars 9-15.
145 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
54 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 42 out of 100; the rest of the number is everything around it.
129 bars, about 3:29 at the written tempo. The course breaks it into 30 exercises over 8 sittings, about 28 minutes each.
crash, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 47 times: bars 16, 24, 26, 28, 30, 31 and 41 more.