68 bars of 4/4 at a walking 109 BPM, 2:29 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 11-17 and 20 -- 13.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
6 fills to learn, played 14 times: bars 24, 25, 34, 35, 36, 37 and 8 more.
3 more fills are written out on the fills page.
68 bars across 10 sections: 37 keep time, 14 are fills, 1 is a stop and 7 are silent. The longest unbroken stretch of time is bars 12-20.
109 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
55 out of 100, a step up from a first song, and the work is in how fine the subdivision is. The beat itself is 39 out of 100; the rest of the number is everything around it.
68 bars, about 2:29 at the written tempo. The course breaks it into 33 exercises over 10 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 14 times: bars 24, 25, 34, 35, 36, 37 and 8 more.