280 bars of 4/4 at 130 BPM, about 8:37 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 74-89, 92-98 and 193-208, and 1 more place -- 16.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
21 fills to learn, played 36 times: bars 4, 8, 36, 55, 56, 64 and 30 more.
17 more fills are written out on the fills page.
280 bars across 23 sections: 205 keep time, 36 are fills, 10 are stops and 3 are silent. The longest unbroken stretch of time is bars 75-89.
130 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
78 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 61 out of 100; the rest of the number is everything around it.
280 bars, about 8:37 at the written tempo. The course breaks it into 79 exercises over 25 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
21 fills to learn, played 36 times: bars 4, 8, 36, 55, 56, 64 and 30 more.