92 bars of 4/4 at a walking 98 BPM, 3:45 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 22-24, 26-28 and 49-50, and 2 more places -- 14.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
12 fills to learn, played 29 times: bars 6, 7, 8, 9, 17, 25 and 23 more.
8 more fills are written out on the fills page.
92 bars across 11 sections: 35 keep time, 30 are fills, 12 are stops and 5 are silent. The longest unbroken stretch of time is bars 13-16.
98 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
57 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 42 out of 100; the rest of the number is everything around it.
92 bars, about 3:45 at the written tempo. The course breaks it into 38 exercises over 12 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 29 times: bars 6, 7, 8, 9, 17, 25 and 23 more.