118 bars of 4/4 at 110 BPM, about 4:16 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 14-16, 18-20 and 24-26, and 4 more places -- 19.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
12 fills to learn, played 18 times: bars 17, 21, 23, 27, 31, 35 and 12 more.
8 more fills are written out on the fills page.
118 bars across 14 sections: 79 keep time, 19 are fills, 2 are stops and 8 are silent. The longest unbroken stretch of time is bars 105-118.
110 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
67 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 41 out of 100; the rest of the number is everything around it.
118 bars, about 4:16 at the written tempo. The course breaks it into 42 exercises over 13 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 18 times: bars 17, 21, 23, 27, 31, 35 and 12 more.