169 bars of 4/4 at 130 BPM, about 5:12 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 17-19, 21-23 and 25-27, and 7 more places -- 20% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
8 fills to learn, played 21 times: bars 15, 16, 24, 28, 29, 30 and 15 more.
4 more fills are written out on the fills page.
169 bars across 13 sections: 130 keep time, 21 are fills, 3 are stops and 4 are silent. The longest unbroken stretch of time is bars 98-119.
130 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
79 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 53 out of 100; the rest of the number is everything around it.
169 bars, about 5:12 at the written tempo. The course breaks it into 45 exercises over 18 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 21 times: bars 15, 16, 24, 28, 29, 30 and 15 more.