61 bars of 4/4 at a walking 100 BPM, 2:26 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 17-19, 21-23 and 55 -- 11.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
6 fills to learn, played 18 times: bars 13, 14, 15, 16, 20, 25 and 12 more.
2 more fills are written out on the fills page.
61 bars across 10 sections: 29 keep time, 18 are fills and 7 are stops. The longest unbroken stretch of time is bars 1-4.
100 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
56 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 46 out of 100; the rest of the number is everything around it.
61 bars, about 2:26 at the written tempo. The course breaks it into 32 exercises over 9 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 18 times: bars 13, 14, 15, 16, 20, 25 and 12 more.