111 bars of 4/4 at 144 BPM, about 3:05 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 17-23, 33-39 and 59-66 -- 20.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
9 fills to learn, played 12 times: bars 24, 50, 73, 74, 78, 81 and 6 more.
5 more fills are written out on the fills page.
111 bars across 17 sections: 64 keep time, 12 are fills, 18 are stops and 2 are silent. The longest unbroken stretch of time is bars 25-40.
144 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
57 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 14 out of 100; the rest of the number is everything around it.
111 bars, about 3:05 at the written tempo. The course breaks it into 44 exercises over 12 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 12 times: bars 24, 50, 73, 74, 78, 81 and 6 more.