126 bars of 4/4 at 145 BPM, about 3:29 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 13-17, 19-23 and 25-26, and 3 more places -- 17.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
15 fills to learn, played 23 times: bars 8, 28, 32, 36, 40, 60 and 17 more.
11 more fills are written out on the fills page.
126 bars across 14 sections: 75 keep time, 23 are fills, 12 are stops and 3 are silent. The longest unbroken stretch of time is bars 44-59.
145 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
57 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 39 out of 100; the rest of the number is everything around it.
126 bars, about 3:29 at the written tempo. The course breaks it into 48 exercises over 13 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
15 fills to learn, played 23 times: bars 8, 28, 32, 36, 40, 60 and 17 more.