48 bars, 2:45, at 70 BPM: slow enough that every note is exposed. Crash, hi-hat, snare, floor tom, kick and hi-hat foot and nothing else.
The beat the song is built on is one bar, played through bars 13-19, 32-36 and 38 -- 29.5% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
7 fills to learn, played 16 times: bars 12, 20, 21, 23, 24, 25 and 10 more.
3 more fills are written out on the fills page.
48 bars across 6 sections: 23 keep time, 16 are fills, 1 is a stop and 4 are silent. The longest unbroken stretch of time is bars 5-11.
70 BPM, in 4/4, with the time kept in sixteenth notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
41 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 29 out of 100; the rest of the number is everything around it.
48 bars, about 2:45 at the written tempo. The course breaks it into 20 exercises over 5 sittings, about 29 minutes each.
crash, hi-hat, snare, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 16 times: bars 12, 20, 21, 23, 24, 25 and 10 more.