297 bars of 3/4 -- not four -- at 200 BPM, 4:28 of playing on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 4, 8 and 10, and 11 more places -- 17.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
23 fills to learn, played 59 times: bars 12, 15, 16, 31, 32, 40 and 53 more.
19 more fills are written out on the fills page.
297 bars across 21 sections: 163 keep time, 59 are fills, 37 are stops and 14 are silent. The longest unbroken stretch of time is bars 17-30.
200 BPM, in 3/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
63 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 39 out of 100; the rest of the number is everything around it.
297 bars, about 4:28 at the written tempo. The course breaks it into 59 exercises over 15 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
23 fills to learn, played 59 times: bars 12, 15, 16, 31, 32, 40 and 53 more.