211 bars of 4/4 at 152 BPM, about 5:32 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 17-18, 21-22 and 25-26, and 13 more places -- 13.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
10 fills to learn, played 52 times: bars 2, 3, 4, 5, 6, 7 and 46 more.
6 more fills are written out on the fills page.
211 bars across 7 sections: 153 keep time, 52 are fills and 1 is silent. The longest unbroken stretch of time is bars 172-210.
152 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
58 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 51 out of 100; the rest of the number is everything around it.
211 bars, about 5:32 at the written tempo. The course breaks it into 35 exercises over 11 sittings, about 28 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 52 times: bars 2, 3, 4, 5, 6, 7 and 46 more.