158 bars of 4/4 at 122 BPM, about 5:11 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 48, 50 and 52, and 24 more places -- 19.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
2 fills to learn, played 6 times: bars 130, 138, 139, 140, 141 and 142.
158 bars across 12 sections: 120 keep time, 6 are fills and 17 are silent. The longest unbroken stretch of time is bars 7-23.
122 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
42 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 31 out of 100; the rest of the number is everything around it.
158 bars, about 5:11 at the written tempo. The course breaks it into 29 exercises over 8 sittings, about 28 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
2 fills to learn, played 6 times: bars 130, 138, 139, 140, 141 and 142.