145 bars at 168 BPM -- fast, and 3:27 of it without a break -- on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 49-51, 53-55 and 57-59, and 10 more places -- 19.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
4 fills to learn, played 6 times: bars 24, 82, 93, 143, 144 and 145.
145 bars across 13 sections: 118 keep time, 6 are fills and 4 are silent. The longest unbroken stretch of time is bars 65-81.
168 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
56 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 52 out of 100; the rest of the number is everything around it.
145 bars, about 3:27 at the written tempo. The course breaks it into 48 exercises over 13 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 6 times: bars 24, 82, 93, 143, 144 and 145.