90 bars at 170 BPM -- fast, and 2:06 of it without a break -- on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 9-14, 17-19 and 21-22, and 7 more places -- 32.2% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
10 fills to learn, played 16 times: bars 7, 8, 16, 20, 24, 32 and 10 more.
6 more fills are written out on the fills page.
90 bars across 10 sections: 56 keep time, 16 are fills, 6 are stops and 3 are silent. The longest unbroken stretch of time is bars 83-90.
170 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
55 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 38 out of 100; the rest of the number is everything around it.
90 bars, about 2:06 at the written tempo. The course breaks it into 33 exercises over 10 sittings, about 23 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 16 times: bars 7, 8, 16, 20, 24, 32 and 10 more.