17 bars of 4/4 at a walking 100 BPM, 0:41 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 2-5 -- 30.8% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
2 fills to learn, played 3 times: bars 1, 16 and 17.
17 bars across 4 sections: 9 keep time, 3 are fills and 4 are silent. The longest unbroken stretch of time is bars 2-8.
100 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
53 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 41 out of 100; the rest of the number is everything around it.
17 bars, about 0:41 at the written tempo. The course breaks it into 9 exercises over 3 sittings, about 24 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
2 fills to learn, played 3 times: bars 1, 16 and 17.