113 bars of 4/4 at 150 BPM, about 3:02 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 21, 42 and 82, and 4 more places -- 7.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
12 fills to learn, played 64 times: bars 19, 22, 23, 24, 25, 26 and 58 more.
9 more fills are written out on the fills page.
113 bars across 11 sections: 19 keep time, 64 are fills, 6 are stops and 19 are silent.
150 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
58 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 44 out of 100; the rest of the number is everything around it.
113 bars, about 3:02 at the written tempo. The course breaks it into 31 exercises over 12 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 64 times: bars 19, 22, 23, 24, 25, 26 and 58 more.