121 bars of 4/4 at 150 BPM, about 3:14 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 9-15, 17-23 and 25-27, and 5 more places -- 29.1% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
12 fills to learn, played 17 times: bars 16, 24, 28, 32, 34, 36 and 11 more.
8 more fills are written out on the fills page.
121 bars across 11 sections: 80 keep time, 17 are fills, 9 are stops and 11 are silent. The longest unbroken stretch of time is bars 105-121.
150 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
59 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 19 out of 100; the rest of the number is everything around it.
121 bars, about 3:14 at the written tempo. The course breaks it into 38 exercises over 11 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 17 times: bars 16, 24, 28, 32, 34, 36 and 11 more.