155 bars of 4/4 at 134 BPM, about 4:38 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 9-10, 13-14 and 21-22, and 13 more places -- 30.3% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
8 fills to learn, played 18 times: bars 8, 50, 56, 64, 90, 96 and 12 more.
4 more fills are written out on the fills page.
155 bars across 12 sections: 105 keep time, 18 are fills and 12 are stops. The longest unbroken stretch of time is bars 33-49.
134 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
52 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 34 out of 100; the rest of the number is everything around it.
155 bars, about 4:38 at the written tempo. The course breaks it into 39 exercises over 10 sittings, about 27 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 18 times: bars 8, 50, 56, 64, 90, 96 and 12 more.