98 bars of 4/4 at 110 BPM, about 3:35 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 13-15, 40 and 90-92 -- 8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
15 fills to learn, played 28 times: bars 1, 2, 4, 5, 12, 21 and 22 more.
11 more fills are written out on the fills page.
98 bars across 12 sections: 47 keep time, 29 are fills, 3 are stops and 10 are silent. The longest unbroken stretch of time is bars 13-20.
110 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
62 out of 100, a step up from a first song, and the work is in how much of it falls off the beat. The beat itself is 39 out of 100; the rest of the number is everything around it.
98 bars, about 3:35 at the written tempo. The course breaks it into 50 exercises over 15 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
15 fills to learn, played 28 times: bars 1, 2, 4, 5, 12, 21 and 22 more.