121 bars at 170 BPM -- fast, and 2:51 of it without a break -- on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 9-12, 17-19 and 49-51 -- 8.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
11 fills to learn, played 18 times: bars 4, 13, 14, 15, 20, 23 and 12 more.
7 more fills are written out on the fills page.
121 bars across 19 sections: 59 keep time, 18 are fills, 16 are stops and 4 are silent. The longest unbroken stretch of time is bars 87-94.
170 BPM, in 4/4, with the time kept in thirty-second notes. At that speed the thirty-second notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
62 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 40 out of 100; the rest of the number is everything around it.
121 bars, about 2:51 at the written tempo. The course breaks it into 63 exercises over 19 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
11 fills to learn, played 18 times: bars 4, 13, 14, 15, 20, 23 and 12 more.