132 bars of 4/4 at 118 BPM, about 4:28 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 9-14, 67 and 69, and 4 more places -- 12.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
12 fills to learn, played 21 times: bars 8, 26, 27, 35, 53, 54 and 15 more.
8 more fills are written out on the fills page.
132 bars across 15 sections: 78 keep time, 21 are fills, 9 are stops and 6 are silent. The longest unbroken stretch of time is bars 18-25.
118 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
58 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 31 out of 100; the rest of the number is everything around it.
132 bars, about 4:28 at the written tempo. The course breaks it into 59 exercises over 15 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 21 times: bars 8, 26, 27, 35, 53, 54 and 15 more.