93 bars of 4/4 at a walking 102 BPM, 3:38 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 45 and 47-59 -- 17.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
5 fills to learn, played 10 times: bars 24, 35, 36, 46, 71, 72 and 4 more.
1 more fill is written out on the fills page.
93 bars across 14 sections: 52 keep time, 10 are fills, 8 are stops and 14 are silent. The longest unbroken stretch of time is bars 47-61.
102 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
53 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 36 out of 100; the rest of the number is everything around it.
93 bars, about 3:38 at the written tempo. The course breaks it into 32 exercises over 10 sittings, about 24 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 10 times: bars 24, 35, 36, 46, 71, 72 and 4 more.