134 bars, 7:27, at 72 BPM: slow enough that every note is exposed. Crash, ride, hi-hat, snare, mid tom, floor tom and kick and nothing else.
The beat the song is built on is one bar, played through bars 35-36, 43-44 and 46-48, and 1 more place -- 7.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
11 fills to learn, played 33 times: bars 41, 45, 49, 53, 70, 71 and 27 more.
7 more fills are written out on the fills page.
134 bars across 17 sections: 74 keep time, 33 are fills, 2 are stops and 10 are silent. The longest unbroken stretch of time is bars 2-25.
72 BPM, in 4/4, with the time kept in sixteenth notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
48 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 33 out of 100; the rest of the number is everything around it.
134 bars, about 7:27 at the written tempo. The course breaks it into 58 exercises over 17 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
11 fills to learn, played 33 times: bars 41, 45, 49, 53, 70, 71 and 27 more.