160 bars of 4/4 at 150 BPM, about 3:53 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 2-8 and 10-12 -- 6.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
14 fills to learn, played 35 times: bars 9, 13, 17, 26, 27, 28 and 29 more.
10 more fills are written out on the fills page.
160 bars across 20 sections: 80 keep time, 35 are fills, 19 are stops and 1 is silent. The longest unbroken stretch of time is bars 77-90.
150 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
75 out of 100: demanding, mostly on how many notes a second it asks for. The beat itself is 31 out of 100; the rest of the number is everything around it.
160 bars, about 3:53 at the written tempo. The course breaks it into 68 exercises over 23 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
14 fills to learn, played 35 times: bars 9, 13, 17, 26, 27, 28 and 29 more.