308 bars of 4/4 at a walking 100 BPM, 12:10 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 31, 33 and 37, and 20 more places -- 8.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
25 fills to learn, played 54 times: bars 32, 36, 44, 48, 52, 78 and 48 more.
21 more fills are written out on the fills page.
308 bars across 28 sections: 181 keep time, 54 are fills, 15 are stops and 37 are silent. The longest unbroken stretch of time is bars 140-164.
100 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
64 out of 100, a step up from a first song, and the work is in how fine the subdivision is. The beat itself is 51 out of 100; the rest of the number is everything around it.
308 bars, about 12:10 at the written tempo. The course breaks it into 105 exercises over 33 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
25 fills to learn, played 54 times: bars 32, 36, 44, 48, 52, 78 and 48 more.