136 bars of 4/4 at 140 BPM, about 3:52 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 2-4, 6-8 and 44-46, and 2 more places -- 10.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
9 fills to learn, played 27 times: bars 5, 9, 13, 32, 36, 39 and 21 more.
5 more fills are written out on the fills page.
136 bars across 16 sections: 85 keep time, 27 are fills, 4 are stops and 1 is silent. The longest unbroken stretch of time is bars 82-95.
140 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
58 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 65 out of 100; the rest of the number is everything around it.
136 bars, about 3:52 at the written tempo. The course breaks it into 44 exercises over 12 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 27 times: bars 5, 9, 13, 32, 36, 39 and 21 more.