104 bars, 6:55, at 60 BPM: slow enough that every note is exposed. Crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot and nothing else.
The beat the song is built on is one bar, played through bars 8-10, 28-30 and 32-34, and 9 more places -- 29.4% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
11 fills to learn, played 23 times: bars 7, 11, 19, 23, 27, 31 and 17 more.
7 more fills are written out on the fills page.
104 bars across 15 sections: 52 keep time, 23 are fills and 19 are silent. The longest unbroken stretch of time is bars 65-71.
60 BPM, in 4/4, with the time kept in thirty-second notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
78 out of 100: demanding, mostly on how much of it falls off the beat. The beat itself is 64 out of 100; the rest of the number is everything around it.
104 bars, about 6:55 at the written tempo. The course breaks it into 33 exercises over 11 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
11 fills to learn, played 23 times: bars 7, 11, 19, 23, 27, 31 and 17 more.