200 bars at 188 BPM -- fast, and 4:10 of it without a break -- on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 42-44, 46-48 and 54-56, and 6 more places -- 14.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
31 fills to learn, played 73 times: bars 8, 9, 13, 17, 18, 19 and 67 more.
27 more fills are written out on the fills page.
200 bars across 19 sections: 88 keep time, 74 are fills, 15 are stops and 11 are silent. The longest unbroken stretch of time is bars 189-195.
188 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
59 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 34 out of 100; the rest of the number is everything around it.
200 bars, about 4:10 at the written tempo. The course breaks it into 78 exercises over 21 sittings, about 26 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
31 fills to learn, played 73 times: bars 8, 9, 13, 17, 18, 19 and 67 more.