65 bars of 4/4 at 128 BPM, about 2:02 of playing, on crash, ride, hi-hat, snare, mid tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 27, 29-30 and 57, and 1 more place -- 24.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
3 fills to learn, played 10 times: bars 28, 31, 32, 33, 34, 53 and 4 more.
65 bars across 7 sections: 21 keep time, 10 are fills, 5 are stops and 24 are silent. The longest unbroken stretch of time is bars 59-64.
128 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
37 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 21 out of 100; the rest of the number is everything around it.
65 bars, about 2:02 at the written tempo. The course breaks it into 14 exercises over 4 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, mid tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
3 fills to learn, played 10 times: bars 28, 31, 32, 33, 34, 53 and 4 more.