138 bars, 9:36, at 54 BPM: slow enough that every note is exposed. Crash, ride, hi-hat, snare, mid tom, floor tom and kick and nothing else.
The beat the song is built on is one bar, played through bars 22, 25-27 and 44, and 4 more places -- 10.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
9 fills to learn, played 17 times: bars 10, 19, 20, 24, 28, 29 and 11 more.
6 more fills are written out on the fills page.
138 bars across 16 sections: 90 keep time, 17 are fills, 5 are stops and 7 are silent. The longest unbroken stretch of time is bars 58-71.
54 BPM, in 4/4, with the time kept in thirty-second notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
70 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 51 out of 100; the rest of the number is everything around it.
138 bars, about 9:36 at the written tempo. The course breaks it into 57 exercises over 19 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 17 times: bars 10, 19, 20, 24, 28, 29 and 11 more.