143 bars, 11:30, at 52 BPM: slow enough that every note is exposed. Crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick and nothing else.
The beat the song is built on is a 2-bar phrase, played through bars 46-53 and 95-102 -- 11.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
5 fills to learn, played 13 times: bars 7, 8, 10, 12, 21, 29 and 7 more.
1 more fill is written out on the fills page.
143 bars across 21 sections: 93 keep time, 13 are fills, 7 are stops and 7 are silent. The longest unbroken stretch of time is bars 129-137.
52 BPM, in 4/4, with the time kept in thirty-second notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
76 out of 100: demanding, mostly on how much of it falls off the beat. The beat itself is 67 out of 100; the rest of the number is everything around it.
143 bars, about 11:30 at the written tempo. The course breaks it into 57 exercises over 18 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 13 times: bars 7, 8, 10, 12, 21, 29 and 7 more.