205 bars of 4/4 at 150 BPM, about 5:28 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 33-43, 45-47 and 110, and 9 more places -- 17.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
24 fills to learn, played 42 times: bars 24, 44, 48, 56, 57, 64 and 36 more.
20 more fills are written out on the fills page.
205 bars across 16 sections: 97 keep time, 42 are fills, 19 are stops and 30 are silent. The longest unbroken stretch of time is bars 158-176.
150 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
49 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 31 out of 100; the rest of the number is everything around it.
205 bars, about 5:28 at the written tempo. The course breaks it into 72 exercises over 21 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
24 fills to learn, played 42 times: bars 24, 44, 48, 56, 57, 64 and 36 more.