138 bars of 3/4 -- not four -- at 92 BPM, 4:49 of playing on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 34-49 and 66-81 -- 25% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
10 fills to learn, played 24 times: bars 1, 2, 3, 4, 6, 8 and 18 more.
6 more fills are written out on the fills page.
138 bars across 11 sections: 87 keep time, 24 are fills, 9 are stops and 10 are silent. The longest unbroken stretch of time is bars 35-49.
92 BPM, in 3/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
62 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 54 out of 100; the rest of the number is everything around it.
138 bars, about 4:49 at the written tempo. The course breaks it into 33 exercises over 9 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 24 times: bars 1, 2, 3, 4, 6, 8 and 18 more.