86 bars of 4/4 at a walking 85 BPM, 4:01 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 17-22, 26-28 and 42-43, and 7 more places -- 33.7% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
5 fills to learn, played 8 times: bars 4, 5, 23, 44, 45, 46 and 2 more.
2 more fills are written out on the fills page.
86 bars across 8 sections: 66 keep time, 8 are fills, 1 is a stop and 3 are silent. The longest unbroken stretch of time is bars 69-84.
85 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
57 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 37 out of 100; the rest of the number is everything around it.
86 bars, about 4:01 at the written tempo. The course breaks it into 25 exercises over 7 sittings, about 27 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 8 times: bars 4, 5, 23, 44, 45, 46 and 2 more.