109 bars at 170 BPM -- fast, and 2:34 of it without a break -- on crash, hi-hat, snare, high tom, mid tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 77-82, 85-90 and 93-98, and 1 more place -- 24.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
12 fills to learn, played 26 times: bars 12, 18, 19, 20, 28, 36 and 20 more.
8 more fills are written out on the fills page.
109 bars across 10 sections: 61 keep time, 26 are fills, 3 are stops and 12 are silent. The longest unbroken stretch of time is bars 5-11.
170 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
60 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 33 out of 100; the rest of the number is everything around it.
109 bars, about 2:34 at the written tempo. The course breaks it into 30 exercises over 8 sittings, about 28 minutes each.
crash, hi-hat, snare, high tom, mid tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 26 times: bars 12, 18, 19, 20, 28, 36 and 20 more.