138 bars of 3/4 -- not four -- at 200 BPM, 2:27 of playing on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 88-94, 96-102 and 104-110, and 1 more place -- 23% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
7 fills to learn, played 45 times: bars 11, 12, 13, 16, 20, 21 and 39 more.
5 more fills are written out on the fills page.
143 bars across 8 sections: 65 keep time, 45 are fills, 1 is a stop and 21 are silent. The longest unbroken stretch of time is bars 62-70.
200 BPM, in 3/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
79 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 45 out of 100; the rest of the number is everything around it.
138 bars, about 2:27 at the written tempo. The course breaks it into 34 exercises over 10 sittings, about 30 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 45 times: bars 11, 12, 13, 16, 20, 21 and 39 more.